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Malcolm John Horsley
1925 - 1991

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• Birth	29 Sep 1925	Chatswood
  Gender	Male
  Died	12 Oct 1991	Singapore
  Person ID	I1191	Forsyth Tanners
  Last Modified	23 Sep 2013

  
  

  Father	Henry Howard Horsley,   b. 27 Jan 1894, St Leonards Reg No 31383/1894 ,   d. 3 May 1972, St Leonards Reg No 4944/1972
  Mother	Gladys Lillian Forsyth,   b. 1894, St Leonards Reg No 31370/1894 ,   d. 6 Aug 1971, St Leonards Reg No 56861/1971
  Married	22 Jul 1915	illoughby. Chatswood Reg No 11863/1915
  Family ID	F184	Group Sheet

  
  

  Family	Shirley Joan Deane
  Married	1945	Married UK PRO Reg No 1Q1954 Hampstead 5c 1982
  Children	1. Living   2. Living
  Last Modified	23 Sep 2013
  Family ID	F408	Group Sheet

  
  

• Notes

  Death HORSLEY Malcolm John Death notice 12OCT1991 Death 66 at Singapore Sydney Morning Herald 23OCT1991 HORSLEY, MALCOLM JOHN Service.. Australian Army Service Number.. NX203190 Date of Birth.. 29 Sep 1925 Place of Birth.. CHATSWOOD, NSW Date of Enlistment.. 24 Feb 1944 Locality on Enlistment ..CHATSWOOD, NSW Place of Enlistment.. PADDINGTON, NSW Next of Kin HORSLEY.., HENRY Date of Discharge.. 20 Nov 1946 Rank.. Private Posting at Discharge.. 2/3 Pioneer Battalion WW2 Honours and Gallantry.. None for display Prisoner of War ..No Book - Tomorrow is Manana : An Andalusian Village by Shirley Deane Illustrator: Malcolm Horsley The Sunday Herald (Sydney, NSW : 1949 - 1953)(about) Sunday 25 January 1953 Page 4 CRITIC'S VIEW OF AUSTRALIAN ART From Our Staff Correspondent LONDON, Jan. 24. - The Australian artists' ex- hibition now showing in London lacks a sense of completeness - the essence both of their scene and their artists' genius, says the Lon- don "Daily Telegraph" art critic, T. W. Earp. The critic says that a robust expressionism is the prevailing tendency. "But, unfortunately, ex- pressionism in its attempt to preserve the painter's first im pulse is too apt to stop short at it," he says. "It is an approach without realisation and, thus, F. Williams's 'Tragic Landscape" and Mal- colm Horsley's "The General's Birthday Party," with their tantalising hint of genuine power, hardly go beyond rough studies. "An ambitious effort is well rewarded in Roy de Maistre's elaborately com- posed semi-cubist 'Veiled Figure, Seated.' "